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    <fireside:genDate>Mon, 11 May 2026 12:28:05 -0500</fireside:genDate>
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    <title>Austin Art Talk - Episodes Tagged with “Tammie Rubin”</title>
    <link>https://www.austinarttalk.com/tags/tammie%20rubin</link>
    <pubDate>Mon, 03 Dec 2018 07:00:00 -0600</pubDate>
    <description>The goal of the podcast is to facilitate connections with and to learn from the successes, struggles, life experience, and wisdom of the people featured, most of whom live and create in Austin, Texas. The honest conversational flow of these weekly long form interviews lends itself to some really great insights and information that is available to anyone who wants to listen. Join us to explore the origins, stories, lessons, lives and work of those in our community who are at the forefront of creative expression. The podcast is hosted by photographer, art enthusiast and collector, Scott David Gordon.
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    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>In depth conversations and wisdom from Austin artists and creatives, about life, work, and creativity.</itunes:subtitle>
    <itunes:author>Scott David Gordon</itunes:author>
    <itunes:summary>The goal of the podcast is to facilitate connections with and to learn from the successes, struggles, life experience, and wisdom of the people featured, most of whom live and create in Austin, Texas. The honest conversational flow of these weekly long form interviews lends itself to some really great insights and information that is available to anyone who wants to listen. Join us to explore the origins, stories, lessons, lives and work of those in our community who are at the forefront of creative expression. The podcast is hosted by photographer, art enthusiast and collector, Scott David Gordon.
</itunes:summary>
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    <itunes:keywords>austin artist, podcast, austin art podcast, austin texas, austin art, interviews, local artist, conversations with artists</itunes:keywords>
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      <itunes:name>Scott David Gordon</itunes:name>
      <itunes:email>podcast@austinarttalk.com</itunes:email>
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  <itunes:category text="Self-Improvement"/>
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<item>
  <title>Episode 50: Tammie Rubin - Everything You Ever</title>
  <link>https://www.austinarttalk.com/50</link>
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  <pubDate>Mon, 03 Dec 2018 07:00:00 -0600</pubDate>
  <author>Scott David Gordon</author>
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  <itunes:episode>50</itunes:episode>
  <itunes:title>Tammie Rubin - Everything You Ever</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Scott David Gordon</itunes:author>
  <itunes:subtitle>[Tammie Rubin](http://tammierubin.com/) is a ceramic sculptor and professor at [St. Edwards University](https://www.stedwards.edu/directory/employees/tammie-r-rubin). Since moving to Austin only three years ago she has fully established herself in the art community. While maintaining a consistent studio practice she also teaches multiple classes, supports many other artists, is a member of [ICOSA](https://www.icosacollective.com/members/#rubin), and is a [Dimension Gallery](http://dimensiongallery.org/tammie-rubin-2/) fellowship artist.</itunes:subtitle>
  <itunes:duration>1:11:28</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/cover.jpg?v=5"/>
  <description>&lt;p&gt;&lt;em&gt;&lt;strong&gt;"I think that the thread has definitely been that it’s all sculptural. I’m truly a 3D person. The idea and the making of the work kind of happen at the same time. Or maybe I cant identify exactly what comes first but I feel like I am pushed forward in the studio though making itself. Researching is a part of that but I actually have to have my hands moving."&lt;/strong&gt;&lt;/em&gt;&lt;br&gt;
&lt;br&gt;&lt;br&gt;
&lt;a href="http://tammierubin.com/" target="_blank" rel="nofollow noopener"&gt;Tammie Rubin&lt;/a&gt; is a ceramic sculptor and professor at &lt;a href="https://www.stedwards.edu/directory/employees/tammie-r-rubin" target="_blank" rel="nofollow noopener"&gt;St. Edwards University&lt;/a&gt;. Since moving to Austin only three years ago she has fully established herself in the local art community. While maintaining a consistent studio practice she also teaches multiple classes, supports many other artists, is a member of &lt;a href="https://www.icosacollective.com/members/#rubin" target="_blank" rel="nofollow noopener"&gt;ICOSA&lt;/a&gt;, and is a &lt;a href="http://dimensiongallery.org/tammie-rubin-2/" target="_blank" rel="nofollow noopener"&gt;Dimension Gallery&lt;/a&gt; fellowship artist.&lt;/p&gt;

&lt;p&gt;As Tammie stated in the interview she pushes herself in the studio to create work while her ideas coalesce through the act of doing and pushing forward into the unknown. After the work is done she can then more fully formulate concrete language about its meaning. She creates order from the noise and chaos of her thoughts and ends up hopefully with the visual cues in her pieces that communicate her complete thought process.&lt;/p&gt;

&lt;p&gt;Previously her artwork utilized more industrial and recognizable readymade objects that she would then transform and reconfigure through her hand into ceramic sculptures. These pieces were often very colorful, textured, and complex. Her latest exhibition, &lt;em&gt;Everything You Ever&lt;/em&gt;, on display at Women &amp;amp; Their Work, utilizes ball moss, wire, steel wool, and other elements as the base of the sculptures. &lt;/p&gt;

&lt;p&gt;In the interview we cover the process of making the pieces and also her thoughts about the meaning behind the work. We also talk about the ideas she has explored in her pervious work and how she got into sculpture and teaching, including the details of a class on art &amp;amp; activism.&lt;/p&gt;

&lt;p&gt;Be sure to visit &lt;a href="http://tammierubin.com/" target="_blank" rel="nofollow noopener"&gt;her website&lt;/a&gt; to see all of her beautiful and intriguing work and if in Austin make your way to &lt;a href="https://womenandtheirwork.org/current/tammie-rubin/" target="_blank" rel="nofollow noopener"&gt;Women &amp;amp; Their Work&lt;/a&gt; before January 10th, 2019 to see her solo exhibition.&lt;br&gt;
&lt;br&gt;&lt;br&gt;
&lt;strong&gt;Some of the subjects we discuss:&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Hometown show&lt;br&gt;
Feedback from artists&lt;br&gt;
A lot going on&lt;br&gt;
Cagematch project&lt;br&gt;
Overall approach&lt;br&gt;
Working with porcelain&lt;br&gt;
College professor/mentor&lt;br&gt;
Art History/Chicago&lt;br&gt;
The power of objects&lt;br&gt;
Context of art&lt;br&gt;
What conversation&lt;br&gt;
Thread of ideas&lt;br&gt;
The contraption&lt;br&gt;
Oregon/single use plastic&lt;br&gt;
Silence/communication&lt;br&gt;
Fathers death/new work&lt;br&gt;
Transmission/reconfiguring&lt;br&gt;
Peoples associations&lt;br&gt;
Ceramic textures&lt;br&gt;
Technical process &lt;br&gt;
Ball moss analogy &lt;br&gt;
Push and pull&lt;br&gt;
Teaching/higher education&lt;br&gt;
Students influence&lt;br&gt;
Art &amp;amp; activism class&lt;br&gt;
Assessing artwork&lt;br&gt;
Project Row Houses&lt;br&gt;
Everything you ever details&lt;br&gt;
&lt;br&gt;&lt;br&gt;
&lt;br&gt;&lt;br&gt;
&lt;img src="https://uploads.fireside.fm/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/4-GWOoMO.jpg" alt=""&gt;&lt;br&gt;
&lt;br&gt;&lt;br&gt;
&lt;strong&gt;Everything You Ever&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Tammie Rubin&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Sat Nov 17, 2018 - Thu Jan 10, 2019&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;WOMEN &amp;amp; THEIR WORK&lt;/strong&gt;&lt;br&gt;
1710 Lavaca St.   Austin, TX&lt;br&gt;
(512) 477-1064 &lt;br&gt;
Monday - Friday 10am-6pm&lt;br&gt;
Saturday 12pm - 6pm&lt;/p&gt;

&lt;p&gt;The wispy tendrils of the native Texas ball moss serves as a signifier of gathering chaos, conclave connections, concentrated confusion, a labyrinth of values, and growing will. Sculptures are constructed of knots and tangles of twine and rope, embedded with steel wool and cotton, and armatures of wire. These forms are then overwhelmed with porcelain slip, covering, drowning, distorting and obscuring the original. What will be lost? What will remain?&lt;br&gt;
&lt;br&gt;&lt;br&gt;
&lt;strong&gt;WOMEN &amp;amp; THEIR WORK events:&lt;/strong&gt;&lt;br&gt;
&lt;br&gt;&lt;br&gt;
&lt;strong&gt;Objects in Mirror Are Closer Than They Appear&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Performance and readings&lt;/p&gt;

&lt;p&gt;December 8, 2018, 2pm-4pm&lt;br&gt;
&lt;br&gt;&lt;br&gt;
&lt;strong&gt;TalkAbout: Everything You Ever&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Artist Talk with Tammie at Women &amp;amp; Their Work&lt;/p&gt;

&lt;p&gt;January 5, 2019, 11:30am-12:30pm&lt;/p&gt;

&lt;p&gt;&lt;br&gt;&lt;br&gt;
This interview has been edited and condensed for clarity.&lt;/p&gt;

&lt;p&gt;Intro music generously provided by &lt;a href="http://stankillian.com/main/" target="_blank" rel="nofollow noopener"&gt;Stan Killian&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.austinarttalk.com/supportpodcast" target="_blank" rel="nofollow noopener"&gt;Support this podcast.&lt;/a&gt; &lt;/p&gt;
</description>
  <itunes:keywords>austin art, austin art podcast, austin artist, austin texas, conversations with artists, interview, interviews, local artist, podcast, tammie rubin, sculptor, sculpture, everything you ever, ball moss, st edwards,</itunes:keywords>
  <content:encoded>
    <![CDATA[<p><em><strong>&quot;I think that the thread has definitely been that it’s all sculptural. I’m truly a 3D person. The idea and the making of the work kind of happen at the same time. Or maybe I cant identify exactly what comes first but I feel like I am pushed forward in the studio though making itself. Researching is a part of that but I actually have to have my hands moving.&quot;</strong></em><br>
<br><br>
<a href="http://tammierubin.com/" rel="nofollow">Tammie Rubin</a> is a ceramic sculptor and professor at <a href="https://www.stedwards.edu/directory/employees/tammie-r-rubin" rel="nofollow">St. Edwards University</a>. Since moving to Austin only three years ago she has fully established herself in the local art community. While maintaining a consistent studio practice she also teaches multiple classes, supports many other artists, is a member of <a href="https://www.icosacollective.com/members/#rubin" rel="nofollow">ICOSA</a>, and is a <a href="http://dimensiongallery.org/tammie-rubin-2/" rel="nofollow">Dimension Gallery</a> fellowship artist.</p>

<p>As Tammie stated in the interview she pushes herself in the studio to create work while her ideas coalesce through the act of doing and pushing forward into the unknown. After the work is done she can then more fully formulate concrete language about its meaning. She creates order from the noise and chaos of her thoughts and ends up hopefully with the visual cues in her pieces that communicate her complete thought process.</p>

<p>Previously her artwork utilized more industrial and recognizable readymade objects that she would then transform and reconfigure through her hand into ceramic sculptures. These pieces were often very colorful, textured, and complex. Her latest exhibition, <em>Everything You Ever</em>, on display at Women &amp; Their Work, utilizes ball moss, wire, steel wool, and other elements as the base of the sculptures. </p>

<p>In the interview we cover the process of making the pieces and also her thoughts about the meaning behind the work. We also talk about the ideas she has explored in her pervious work and how she got into sculpture and teaching, including the details of a class on art &amp; activism.</p>

<p>Be sure to visit <a href="http://tammierubin.com/" rel="nofollow">her website</a> to see all of her beautiful and intriguing work and if in Austin make your way to <a href="https://womenandtheirwork.org/current/tammie-rubin/" rel="nofollow">Women &amp; Their Work</a> before January 10th, 2019 to see her solo exhibition.<br>
<br><br>
<strong>Some of the subjects we discuss:</strong></p>

<p>Hometown show<br>
Feedback from artists<br>
A lot going on<br>
Cagematch project<br>
Overall approach<br>
Working with porcelain<br>
College professor/mentor<br>
Art History/Chicago<br>
The power of objects<br>
Context of art<br>
What conversation<br>
Thread of ideas<br>
The contraption<br>
Oregon/single use plastic<br>
Silence/communication<br>
Fathers death/new work<br>
Transmission/reconfiguring<br>
Peoples associations<br>
Ceramic textures<br>
Technical process <br>
Ball moss analogy <br>
Push and pull<br>
Teaching/higher education<br>
Students influence<br>
Art &amp; activism class<br>
Assessing artwork<br>
Project Row Houses<br>
Everything you ever details<br>
<BR><br>
<BR><br>
<img src="https://uploads.fireside.fm/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/4-GWOoMO.jpg" alt=""><br>
<BR><br>
<strong>Everything You Ever</strong></p>

<p>Tammie Rubin</p>

<p><strong>Sat Nov 17, 2018 - Thu Jan 10, 2019</strong></p>

<p><strong>WOMEN &amp; THEIR WORK</strong><br>
1710 Lavaca St.   Austin, TX<br>
(512) 477-1064 <br>
Monday - Friday 10am-6pm<br>
Saturday 12pm - 6pm</p>

<p>The wispy tendrils of the native Texas ball moss serves as a signifier of gathering chaos, conclave connections, concentrated confusion, a labyrinth of values, and growing will. Sculptures are constructed of knots and tangles of twine and rope, embedded with steel wool and cotton, and armatures of wire. These forms are then overwhelmed with porcelain slip, covering, drowning, distorting and obscuring the original. What will be lost? What will remain?<br>
<BR><br>
<strong>WOMEN &amp; THEIR WORK events:</strong><br>
<BR><br>
<strong>Objects in Mirror Are Closer Than They Appear</strong></p>

<p>Performance and readings</p>

<p>December 8, 2018, 2pm-4pm<br>
<BR><br>
<strong>TalkAbout: Everything You Ever</strong></p>

<p>Artist Talk with Tammie at Women &amp; Their Work</p>

<p>January 5, 2019, 11:30am-12:30pm</p>

<p><br><br>
This interview has been edited and condensed for clarity.</p>

<p>Intro music generously provided by <a href="http://stankillian.com/main/" rel="nofollow">Stan Killian</a></p>

<p><a href="http://www.austinarttalk.com/supportpodcast" rel="nofollow">Support this podcast.</a></p><p>Links:</p><ul><li><a title="Tammie Rubin - website" rel="nofollow" href="http://tammierubin.com/">Tammie Rubin - website</a></li><li><a title="Tammie Rubin - Women &amp; Their Work" rel="nofollow" href="https://womenandtheirwork.org/current/tammie-rubin/">Tammie Rubin - Women &amp; Their Work</a></li><li><a title="ICOSA - members" rel="nofollow" href="https://www.icosacollective.com/members/#rubin">ICOSA - members</a></li><li><a title="Tammie Rubin » Dimension Gallery" rel="nofollow" href="http://dimensiongallery.org/tammie-rubin-2/">Tammie Rubin » Dimension Gallery</a></li><li><a title="Cage Match Project » Round Vlll" rel="nofollow" href="http://cagematchproject.com/project/round-vlll/">Cage Match Project » Round Vlll</a></li><li><a title="Tammie R. Rubin | St. Edward&#39;s University in Austin, Texas" rel="nofollow" href="https://www.stedwards.edu/directory/employees/tammie-r-rubin">Tammie R. Rubin | St. Edward's University in Austin, Texas</a></li><li><a title="Project Row Houses" rel="nofollow" href="https://projectrowhouses.org/">Project Row Houses</a></li><li><a title="Tammie Rubin (@tammierrubin) • Instagram" rel="nofollow" href="https://www.instagram.com/tammierrubin/">Tammie Rubin (@tammierrubin) • Instagram</a></li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p><em><strong>&quot;I think that the thread has definitely been that it’s all sculptural. I’m truly a 3D person. The idea and the making of the work kind of happen at the same time. Or maybe I cant identify exactly what comes first but I feel like I am pushed forward in the studio though making itself. Researching is a part of that but I actually have to have my hands moving.&quot;</strong></em><br>
<br><br>
<a href="http://tammierubin.com/" rel="nofollow">Tammie Rubin</a> is a ceramic sculptor and professor at <a href="https://www.stedwards.edu/directory/employees/tammie-r-rubin" rel="nofollow">St. Edwards University</a>. Since moving to Austin only three years ago she has fully established herself in the local art community. While maintaining a consistent studio practice she also teaches multiple classes, supports many other artists, is a member of <a href="https://www.icosacollective.com/members/#rubin" rel="nofollow">ICOSA</a>, and is a <a href="http://dimensiongallery.org/tammie-rubin-2/" rel="nofollow">Dimension Gallery</a> fellowship artist.</p>

<p>As Tammie stated in the interview she pushes herself in the studio to create work while her ideas coalesce through the act of doing and pushing forward into the unknown. After the work is done she can then more fully formulate concrete language about its meaning. She creates order from the noise and chaos of her thoughts and ends up hopefully with the visual cues in her pieces that communicate her complete thought process.</p>

<p>Previously her artwork utilized more industrial and recognizable readymade objects that she would then transform and reconfigure through her hand into ceramic sculptures. These pieces were often very colorful, textured, and complex. Her latest exhibition, <em>Everything You Ever</em>, on display at Women &amp; Their Work, utilizes ball moss, wire, steel wool, and other elements as the base of the sculptures. </p>

<p>In the interview we cover the process of making the pieces and also her thoughts about the meaning behind the work. We also talk about the ideas she has explored in her pervious work and how she got into sculpture and teaching, including the details of a class on art &amp; activism.</p>

<p>Be sure to visit <a href="http://tammierubin.com/" rel="nofollow">her website</a> to see all of her beautiful and intriguing work and if in Austin make your way to <a href="https://womenandtheirwork.org/current/tammie-rubin/" rel="nofollow">Women &amp; Their Work</a> before January 10th, 2019 to see her solo exhibition.<br>
<br><br>
<strong>Some of the subjects we discuss:</strong></p>

<p>Hometown show<br>
Feedback from artists<br>
A lot going on<br>
Cagematch project<br>
Overall approach<br>
Working with porcelain<br>
College professor/mentor<br>
Art History/Chicago<br>
The power of objects<br>
Context of art<br>
What conversation<br>
Thread of ideas<br>
The contraption<br>
Oregon/single use plastic<br>
Silence/communication<br>
Fathers death/new work<br>
Transmission/reconfiguring<br>
Peoples associations<br>
Ceramic textures<br>
Technical process <br>
Ball moss analogy <br>
Push and pull<br>
Teaching/higher education<br>
Students influence<br>
Art &amp; activism class<br>
Assessing artwork<br>
Project Row Houses<br>
Everything you ever details<br>
<BR><br>
<BR><br>
<img src="https://uploads.fireside.fm/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/4-GWOoMO.jpg" alt=""><br>
<BR><br>
<strong>Everything You Ever</strong></p>

<p>Tammie Rubin</p>

<p><strong>Sat Nov 17, 2018 - Thu Jan 10, 2019</strong></p>

<p><strong>WOMEN &amp; THEIR WORK</strong><br>
1710 Lavaca St.   Austin, TX<br>
(512) 477-1064 <br>
Monday - Friday 10am-6pm<br>
Saturday 12pm - 6pm</p>

<p>The wispy tendrils of the native Texas ball moss serves as a signifier of gathering chaos, conclave connections, concentrated confusion, a labyrinth of values, and growing will. Sculptures are constructed of knots and tangles of twine and rope, embedded with steel wool and cotton, and armatures of wire. These forms are then overwhelmed with porcelain slip, covering, drowning, distorting and obscuring the original. What will be lost? What will remain?<br>
<BR><br>
<strong>WOMEN &amp; THEIR WORK events:</strong><br>
<BR><br>
<strong>Objects in Mirror Are Closer Than They Appear</strong></p>

<p>Performance and readings</p>

<p>December 8, 2018, 2pm-4pm<br>
<BR><br>
<strong>TalkAbout: Everything You Ever</strong></p>

<p>Artist Talk with Tammie at Women &amp; Their Work</p>

<p>January 5, 2019, 11:30am-12:30pm</p>

<p><br><br>
This interview has been edited and condensed for clarity.</p>

<p>Intro music generously provided by <a href="http://stankillian.com/main/" rel="nofollow">Stan Killian</a></p>

<p><a href="http://www.austinarttalk.com/supportpodcast" rel="nofollow">Support this podcast.</a></p><p>Links:</p><ul><li><a title="Tammie Rubin - website" rel="nofollow" href="http://tammierubin.com/">Tammie Rubin - website</a></li><li><a title="Tammie Rubin - Women &amp; Their Work" rel="nofollow" href="https://womenandtheirwork.org/current/tammie-rubin/">Tammie Rubin - Women &amp; Their Work</a></li><li><a title="ICOSA - members" rel="nofollow" href="https://www.icosacollective.com/members/#rubin">ICOSA - members</a></li><li><a title="Tammie Rubin » Dimension Gallery" rel="nofollow" href="http://dimensiongallery.org/tammie-rubin-2/">Tammie Rubin » Dimension Gallery</a></li><li><a title="Cage Match Project » Round Vlll" rel="nofollow" href="http://cagematchproject.com/project/round-vlll/">Cage Match Project » Round Vlll</a></li><li><a title="Tammie R. Rubin | St. Edward&#39;s University in Austin, Texas" rel="nofollow" href="https://www.stedwards.edu/directory/employees/tammie-r-rubin">Tammie R. Rubin | St. Edward's University in Austin, Texas</a></li><li><a title="Project Row Houses" rel="nofollow" href="https://projectrowhouses.org/">Project Row Houses</a></li><li><a title="Tammie Rubin (@tammierrubin) • Instagram" rel="nofollow" href="https://www.instagram.com/tammierrubin/">Tammie Rubin (@tammierrubin) • Instagram</a></li></ul>]]>
  </itunes:summary>
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