web02.fireside.fm Mon, 25 May 2026 15:50:45 -0500 Fireside (https://fireside.fm) Austin Art Talk - Episodes Tagged with “Mixed Media” https://www.austinarttalk.com/tags/mixed%20media Sat, 10 Mar 2018 05:00:00 -0600 The goal of the podcast is to facilitate connections with and to learn from the successes, struggles, life experience, and wisdom of the people featured, most of whom live and create in Austin, Texas. The honest conversational flow of these weekly long form interviews lends itself to some really great insights and information that is available to anyone who wants to listen. Join us to explore the origins, stories, lessons, lives and work of those in our community who are at the forefront of creative expression. The podcast is hosted by photographer, art enthusiast and collector, Scott David Gordon. en-us episodic In depth conversations and wisdom from Austin artists and creatives, about life, work, and creativity. Scott David Gordon The goal of the podcast is to facilitate connections with and to learn from the successes, struggles, life experience, and wisdom of the people featured, most of whom live and create in Austin, Texas. The honest conversational flow of these weekly long form interviews lends itself to some really great insights and information that is available to anyone who wants to listen. Join us to explore the origins, stories, lessons, lives and work of those in our community who are at the forefront of creative expression. The podcast is hosted by photographer, art enthusiast and collector, Scott David Gordon. no austin artist, podcast, austin art podcast, austin texas, austin art, interviews, local artist, conversations with artists Scott David Gordon podcast@austinarttalk.com Episode 19: Deborah Roberts - Dedicated to the Work https://www.austinarttalk.com/19 47d73d87-cfcd-43e2-8743-1eaecf593788 Sat, 10 Mar 2018 05:00:00 -0600 Scott David Gordon 19 Deborah Roberts - Dedicated to the Work full Scott David Gordon Deborah Roberts has had an incredible year with sold out shows all over the country and lots of press praising the her work and giving credit where it is due. She is best known for creating mixed-media portraits of young black girls, aged 8-10, that ask the viewer to consider how the subjects beauty has been imagined: by art history, pop culture, American history, and black culture. It's important work and it resonates with a lot of people. 1:04:32 no <p><em><strong>"I’ve always dedicated my life to the work, and what ever the work needed that’s what I did."</strong></em></p> <p>It has been an incredible year for Austin based artist <strong>Deborah Roberts</strong>. But after decades of hard work and scholarship it’s not really a surprise. She was already an established artist long before deciding to go back to school to get her MFA in 2014, to study and find the language and direction for her new work. Her imagery started out in a very romantic Americana style but after a time that didn’t completely match the reality of what she was feeling and seeing in the world. The work needed to change. After finishing school she gave herself two years to succeed in art before having to give up once and for all. Then she received a grant from the Pollock-Krasner Foundation in 2016. For the first time she could spend a whole year completely focused on her art full time and create without fear. What has followed is sold out shows all over the country and lots of press praising the work and giving her credit which was overdue. </p> <p>With a focus in collage, painting, mixed media/installation, and text, Roberts is best known for creating portraits of young black girls, aged 8-10, that ask the viewer to consider how their beauty has been imagined: by art history, pop culture, American history, and black culture. And when and why do these young vulnerable girls have to put on their gloves and start fighting battles? It's important work and it resonates with a lot of people.</p> <p>Deborah is a delight to be around and the interview was a lot of fun. We go all the way back to her beginnings in art and work our way to the present. She then dissects the meaning and language of the work and talks about the future and her new found fame and power.</p> <p><br></p> <p><strong>Some of the subjects we discuss:</strong></p> <p>Drawing as a kid<br> Forced busing<br> Magnet School/Gifted and Talented<br> First sold out show<br> Black Americana romantic painting style<br> Norman Rockwell<br> Work becoming more abstract/complicated<br> The never-ending summer break<br> Feeling the need for more scholarship<br> Going back to school/graduate degree<br> Finding the language for you work<br> Starting small<br> Art Palace show<br> Getting a job/struggling<br> Avoiding the trap/quitting<br> Two year agreement <br> Pollock-Krasner grant year<br> Creating work without fear<br> Volta NY/selling out everything<br> Where have you been?<br> An incredible year/new notoriety<br> Listening to the work<br> Slowing down and scaling up<br> Incorporating more painting<br> The structure of a piece<br> Four freedoms project<br> New found power</p> <p><br><br> <strong>Banner image components by Deborah Roberts <br> (left to right) Betwixt, Untitled, It's All Good, <br> Power Has No Use For Truth, Red Stripes.</strong> </p> "I’ve always dedicated my life to the work, and what ever the work needed that’s what I did."

It has been an incredible year for Austin based artist Deborah Roberts. But after decades of hard work and scholarship it’s not really a surprise. She was already an established artist long before deciding to go back to school to get her MFA in 2014, to study and find the language and direction for her new work. Her imagery started out in a very romantic Americana style but after a time that didn’t completely match the reality of what she was feeling and seeing in the world. The work needed to change. After finishing school she gave herself two years to succeed in art before having to give up once and for all. Then she received a grant from the Pollock-Krasner Foundation in 2016. For the first time she could spend a whole year completely focused on her art full time and create without fear. What has followed is sold out shows all over the country and lots of press praising the work and giving her credit which was overdue.

With a focus in collage, painting, mixed media/installation, and text, Roberts is best known for creating portraits of young black girls, aged 8-10, that ask the viewer to consider how their beauty has been imagined: by art history, pop culture, American history, and black culture. And when and why do these young vulnerable girls have to put on their gloves and start fighting battles? It's important work and it resonates with a lot of people.

Deborah is a delight to be around and the interview was a lot of fun. We go all the way back to her beginnings in art and work our way to the present. She then dissects the meaning and language of the work and talks about the future and her new found fame and power.


Some of the subjects we discuss:

Drawing as a kid
Forced busing
Magnet School/Gifted and Talented
First sold out show
Black Americana romantic painting style
Norman Rockwell
Work becoming more abstract/complicated
The never-ending summer break
Feeling the need for more scholarship
Going back to school/graduate degree
Finding the language for you work
Starting small
Art Palace show
Getting a job/struggling
Avoiding the trap/quitting
Two year agreement
Pollock-Krasner grant year
Creating work without fear
Volta NY/selling out everything
Where have you been?
An incredible year/new notoriety
Listening to the work
Slowing down and scaling up
Incorporating more painting
The structure of a piece
Four freedoms project
New found power



Banner image components by Deborah Roberts
(left to right) Betwixt, Untitled, It's All Good,
Power Has No Use For Truth, Red Stripes.

Links:

]]> "I’ve always dedicated my life to the work, and what ever the work needed that’s what I did."

It has been an incredible year for Austin based artist Deborah Roberts. But after decades of hard work and scholarship it’s not really a surprise. She was already an established artist long before deciding to go back to school to get her MFA in 2014, to study and find the language and direction for her new work. Her imagery started out in a very romantic Americana style but after a time that didn’t completely match the reality of what she was feeling and seeing in the world. The work needed to change. After finishing school she gave herself two years to succeed in art before having to give up once and for all. Then she received a grant from the Pollock-Krasner Foundation in 2016. For the first time she could spend a whole year completely focused on her art full time and create without fear. What has followed is sold out shows all over the country and lots of press praising the work and giving her credit which was overdue.

With a focus in collage, painting, mixed media/installation, and text, Roberts is best known for creating portraits of young black girls, aged 8-10, that ask the viewer to consider how their beauty has been imagined: by art history, pop culture, American history, and black culture. And when and why do these young vulnerable girls have to put on their gloves and start fighting battles? It's important work and it resonates with a lot of people.

Deborah is a delight to be around and the interview was a lot of fun. We go all the way back to her beginnings in art and work our way to the present. She then dissects the meaning and language of the work and talks about the future and her new found fame and power.


Some of the subjects we discuss:

Drawing as a kid
Forced busing
Magnet School/Gifted and Talented
First sold out show
Black Americana romantic painting style
Norman Rockwell
Work becoming more abstract/complicated
The never-ending summer break
Feeling the need for more scholarship
Going back to school/graduate degree
Finding the language for you work
Starting small
Art Palace show
Getting a job/struggling
Avoiding the trap/quitting
Two year agreement
Pollock-Krasner grant year
Creating work without fear
Volta NY/selling out everything
Where have you been?
An incredible year/new notoriety
Listening to the work
Slowing down and scaling up
Incorporating more painting
The structure of a piece
Four freedoms project
New found power



Banner image components by Deborah Roberts
(left to right) Betwixt, Untitled, It's All Good,
Power Has No Use For Truth, Red Stripes.

Links:

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