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    <title>Austin Art Talk - Episodes Tagged with “Grayduck”</title>
    <link>https://www.austinarttalk.com/tags/grayduck</link>
    <pubDate>Sat, 12 May 2018 16:00:00 -0500</pubDate>
    <description>The goal of the podcast is to facilitate connections with and to learn from the successes, struggles, life experience, and wisdom of the people featured, most of whom live and create in Austin, Texas. The honest conversational flow of these weekly long form interviews lends itself to some really great insights and information that is available to anyone who wants to listen. Join us to explore the origins, stories, lessons, lives and work of those in our community who are at the forefront of creative expression. The podcast is hosted by photographer, art enthusiast and collector, Scott David Gordon.</description>
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    <itunes:subtitle>In depth conversations and wisdom from Austin artists and creatives, about life, work, and creativity.</itunes:subtitle>
    <itunes:author>Scott David Gordon</itunes:author>
    <itunes:summary>The goal of the podcast is to facilitate connections with and to learn from the successes, struggles, life experience, and wisdom of the people featured, most of whom live and create in Austin, Texas. The honest conversational flow of these weekly long form interviews lends itself to some really great insights and information that is available to anyone who wants to listen. Join us to explore the origins, stories, lessons, lives and work of those in our community who are at the forefront of creative expression. The podcast is hosted by photographer, art enthusiast and collector, Scott David Gordon.</itunes:summary>
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  <title>Episode 28: Elizabeth Chiles - Weave</title>
  <link>https://www.austinarttalk.com/28</link>
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  <pubDate>Sat, 12 May 2018 16:00:00 -0500</pubDate>
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  <itunes:episode>28</itunes:episode>
  <itunes:title>Elizabeth Chiles - Weave</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Scott David Gordon</itunes:author>
  <itunes:subtitle>Elizabeth Chiles creates photographic collages and complex composites with images she has taken of nature. Growing up her love of the outdoors and the openness of the big Texas sky lent itself to her eventual pursuit of the natural world as her primary subject. As a child each day was an eternity without rules, with time to explore and enjoy her shared suburban wilderness.</itunes:subtitle>
  <itunes:duration>56:01</itunes:duration>
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  <description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;"What are the sensual takeaways from being in a place? When I think about how it feels to be lying in my  backyard in the hammock watching the pecan trees it's not static images of green leaves. It's spectral light, it's rainbow light moving through. It has pink and it has orange and it has all of these colors."&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.elizabethchiles.com/" target="_blank" rel="nofollow noopener"&gt;Elizabeth Chiles&lt;/a&gt; creates photographic collages and complex composites with images she has taken of nature. Growing up her love of the outdoors and the openness of the big Texas sky lent itself to her eventual pursuit of the natural world as her primary subject. As a child each day was an eternity without rules, with time to explore and enjoy her shared suburban wilderness.&lt;/p&gt;

&lt;p&gt;She found her innate calling to create art in college while studying art history and went on to study photography, video, performance, and book making in graduate school. During her years at school she also worked at many prestigious art galleries and gained a very useful education there as well. Since moving back to Austin after graduating she has continued to purse the same questions that have fascinated and motivated her from the beginning.&lt;/p&gt;

&lt;p&gt;How do you communicate through images the quiet moments and slowness of life in a fraction of a second captured by a camera? How do you make work that is alive and true to what a moment in the world is like? She finds much joy in the making of the work and wants to contribute her own voice to the dialogue happening across time with artists past and present. &lt;/p&gt;

&lt;p&gt;Her most recent project and current exhibition at &lt;a href="https://grayduckgallery.com/hidden/weave" target="_blank" rel="nofollow noopener"&gt;grayDUCK Gallery&lt;/a&gt; is called &lt;strong&gt;WEAVE&lt;/strong&gt;. Images of plants, tress, and clouds have been woven together with vivid colors that are based more on personal perception than any realistic rendering. They are sensual takeaways from being in a place, light moving through things, and experiments seeking to shift perspectives and move the viewer through the world in a very alive way. The whole project including the exhibit, poetry, performance, and workshops, is a conversation of lines of interaction, each being an individual consciousness, woven together with horizontal lines of metaphorical text and dialogue to create something stronger and more whole. A textile of reciprocity. &lt;/p&gt;

&lt;p&gt;The breadth of Elizabeth’s knowledge of art, history, and photography is vast and we only just scratched the surface of what she could share. Hopefully there will be a part two at some point. Please enjoy the interview and if you come across this episode before May 20, 2018 please make a point to see her work at &lt;a href="https://grayduckgallery.com/hidden/weave" target="_blank" rel="nofollow noopener"&gt;grayDUCK Gallery&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;WEAVE&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;grayDUCK Gallery&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Exhibition Dates: April 13th - May 20th, 2018&lt;/p&gt;

&lt;p&gt;2213 E. Cesar Chavez&lt;br&gt;
Austin, TX. 78702&lt;br&gt;
(E. Cesar Chavez &amp;amp; Mildred)&lt;/p&gt;

&lt;p&gt;512-826-5334&lt;/p&gt;

&lt;p&gt;&lt;a href="mailto:duckduck@grayduckgallery.com" target="_blank" rel="nofollow noopener"&gt;duckduck@grayduckgallery.com&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="https://grayduckgallery.com/" target="_blank" rel="nofollow noopener"&gt;grayduckgallery.com&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Hours: Thur-Sat 11-6pm &amp;amp; Sun 12-5pm&lt;/p&gt;

&lt;p&gt;Parking is located in the back of the building via the alley off of Mildred&lt;br&gt;
&lt;br&gt;&lt;br&gt;
&lt;strong&gt;Some of the subjects we discuss:&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Childhood in nature&lt;br&gt;
Texas/family heritage&lt;br&gt;
College/art history major&lt;br&gt;
Finding clarity/crossroads&lt;br&gt;
Move to Houston/then Boston&lt;br&gt;
Krakow Gallery/making work&lt;br&gt;
Commercial gallery education &lt;br&gt;
Client relationships/selling work&lt;br&gt;
Graduate school at SFAI&lt;br&gt;
Fraenkel Gallery/job miracle&lt;br&gt;
Respect for artwork&lt;br&gt;
Move back to Austin&lt;br&gt;
Leap before you look&lt;br&gt;
Lora Reynolds Gallery/teaching&lt;br&gt;
Weave at GrayDuck&lt;br&gt;
Collages/composites&lt;br&gt;
Introduction of vivid color&lt;br&gt;
Performance/collaboration&lt;br&gt;
Text/poetry&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Banner image by Elizabeth Chiles&lt;/strong&gt; &lt;/p&gt;
</description>
  <content:encoded>
    <![CDATA[<p><strong><em>"What are the sensual takeaways from being in a place? When I think about how it feels to be lying in my  backyard in the hammock watching the pecan trees it's not static images of green leaves. It's spectral light, it's rainbow light moving through. It has pink and it has orange and it has all of these colors."</em></strong></p>

<p><a href="http://www.elizabethchiles.com/" target="_blank" rel="nofollow noopener">Elizabeth Chiles</a> creates photographic collages and complex composites with images she has taken of nature. Growing up her love of the outdoors and the openness of the big Texas sky lent itself to her eventual pursuit of the natural world as her primary subject. As a child each day was an eternity without rules, with time to explore and enjoy her shared suburban wilderness.</p>

<p>She found her innate calling to create art in college while studying art history and went on to study photography, video, performance, and book making in graduate school. During her years at school she also worked at many prestigious art galleries and gained a very useful education there as well. Since moving back to Austin after graduating she has continued to purse the same questions that have fascinated and motivated her from the beginning.</p>

<p>How do you communicate through images the quiet moments and slowness of life in a fraction of a second captured by a camera? How do you make work that is alive and true to what a moment in the world is like? She finds much joy in the making of the work and wants to contribute her own voice to the dialogue happening across time with artists past and present. </p>

<p>Her most recent project and current exhibition at <a href="https://grayduckgallery.com/hidden/weave" target="_blank" rel="nofollow noopener">grayDUCK Gallery</a> is called <strong>WEAVE</strong>. Images of plants, tress, and clouds have been woven together with vivid colors that are based more on personal perception than any realistic rendering. They are sensual takeaways from being in a place, light moving through things, and experiments seeking to shift perspectives and move the viewer through the world in a very alive way. The whole project including the exhibit, poetry, performance, and workshops, is a conversation of lines of interaction, each being an individual consciousness, woven together with horizontal lines of metaphorical text and dialogue to create something stronger and more whole. A textile of reciprocity. </p>

<p>The breadth of Elizabeth’s knowledge of art, history, and photography is vast and we only just scratched the surface of what she could share. Hopefully there will be a part two at some point. Please enjoy the interview and if you come across this episode before May 20, 2018 please make a point to see her work at <a href="https://grayduckgallery.com/hidden/weave" target="_blank" rel="nofollow noopener">grayDUCK Gallery</a>.<br>
<br></p>

<p><strong>WEAVE</strong></p>

<p><strong>grayDUCK Gallery</strong></p>

<p>Exhibition Dates: April 13th - May 20th, 2018</p>

<p>2213 E. Cesar Chavez<br>
Austin, TX. 78702<br>
(E. Cesar Chavez &amp; Mildred)</p>

<p>512-826-5334</p>

<p><a href="mailto:duckduck@grayduckgallery.com" target="_blank" rel="nofollow noopener">duckduck@grayduckgallery.com</a></p>

<p><a href="https://grayduckgallery.com/" target="_blank" rel="nofollow noopener">grayduckgallery.com</a></p>

<p>Hours: Thur-Sat 11-6pm &amp; Sun 12-5pm</p>

<p>Parking is located in the back of the building via the alley off of Mildred<br>
<br><br>
<strong>Some of the subjects we discuss:</strong></p>

<p>Childhood in nature<br>
Texas/family heritage<br>
College/art history major<br>
Finding clarity/crossroads<br>
Move to Houston/then Boston<br>
Krakow Gallery/making work<br>
Commercial gallery education <br>
Client relationships/selling work<br>
Graduate school at SFAI<br>
Fraenkel Gallery/job miracle<br>
Respect for artwork<br>
Move back to Austin<br>
Leap before you look<br>
Lora Reynolds Gallery/teaching<br>
Weave at GrayDuck<br>
Collages/composites<br>
Introduction of vivid color<br>
Performance/collaboration<br>
Text/poetry</p>

<p><strong>Banner image by Elizabeth Chiles</strong></p><p>Links:</p><ul><li><a title="Elizabeth Chiles - website" rel="nofollow" href="http://www.elizabethchiles.com/">Elizabeth Chiles - website
</a></li><li><a title="WEAVE - grayDUCK Gallery" rel="nofollow" href="https://grayduckgallery.com/hidden/weave">WEAVE - grayDUCK Gallery
</a></li><li><a title="Weaving light: In her newest photographic work, Elizabeth Chiles embraces serenity — Sightlines" rel="nofollow" href="https://sightlinesmag.org/elizabeth-chiles">Weaving light: In her newest photographic work, Elizabeth Chiles embraces serenity — Sightlines
</a></li><li><a title="Robert Adams (photographer) - Wikipedia" rel="nofollow" href="https://en.wikipedia.org/wiki/Robert_Adams_(photographer)">Robert Adams (photographer) - Wikipedia
</a></li><li><a title="William Turner - The Complete Works" rel="nofollow" href="https://www.william-turner.org/">William Turner - The Complete Works
</a></li><li><a title="Paul Cézanne - Wikipedia" rel="nofollow" href="https://en.wikipedia.org/wiki/Paul_C%C3%A9zanne">Paul Cézanne - Wikipedia
</a></li><li><a title="Inman Gallery: Amy Blakemore" rel="nofollow" href="http://www.inmangallery.com/artists/blakemore_amy/bio.html">Inman Gallery: Amy Blakemore
</a></li><li><a title="Krakow Witkin Gallery" rel="nofollow" href="https://www.krakowwitkingallery.com/">Krakow Witkin Gallery
</a></li><li><a title="uta barth | the official website" rel="nofollow" href="http://utabarth.net/">uta barth | the official website
</a></li><li><a title="Sol LeWitt - Wikipedia" rel="nofollow" href="https://en.wikipedia.org/wiki/Sol_LeWitt">Sol LeWitt - Wikipedia
</a></li><li><a title="Richard Tuttle - Wikipedia" rel="nofollow" href="https://en.wikipedia.org/wiki/Richard_Tuttle">Richard Tuttle - Wikipedia
</a></li><li><a title="San Francisco Art Institute | SFAI" rel="nofollow" href="http://www.sfai.edu/">San Francisco Art Institute | SFAI
</a></li><li><a title="Home | Fraenkel Gallery" rel="nofollow" href="https://fraenkelgallery.com/">Home | Fraenkel Gallery
</a></li><li><a title="W.H. Auden poem - Leap Before You Look" rel="nofollow" href="http://web.mit.edu/cordelia/www/Poems/Leap_Before_you_look.html">W.H. Auden poem - Leap Before You Look
</a></li><li><a title="Home | Lora Reynolds Gallery" rel="nofollow" href="http://www.lorareynolds.com/">Home | Lora Reynolds Gallery
</a></li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p><strong><em>"What are the sensual takeaways from being in a place? When I think about how it feels to be lying in my  backyard in the hammock watching the pecan trees it's not static images of green leaves. It's spectral light, it's rainbow light moving through. It has pink and it has orange and it has all of these colors."</em></strong></p>

<p><a href="http://www.elizabethchiles.com/" target="_blank" rel="nofollow noopener">Elizabeth Chiles</a> creates photographic collages and complex composites with images she has taken of nature. Growing up her love of the outdoors and the openness of the big Texas sky lent itself to her eventual pursuit of the natural world as her primary subject. As a child each day was an eternity without rules, with time to explore and enjoy her shared suburban wilderness.</p>

<p>She found her innate calling to create art in college while studying art history and went on to study photography, video, performance, and book making in graduate school. During her years at school she also worked at many prestigious art galleries and gained a very useful education there as well. Since moving back to Austin after graduating she has continued to purse the same questions that have fascinated and motivated her from the beginning.</p>

<p>How do you communicate through images the quiet moments and slowness of life in a fraction of a second captured by a camera? How do you make work that is alive and true to what a moment in the world is like? She finds much joy in the making of the work and wants to contribute her own voice to the dialogue happening across time with artists past and present. </p>

<p>Her most recent project and current exhibition at <a href="https://grayduckgallery.com/hidden/weave" target="_blank" rel="nofollow noopener">grayDUCK Gallery</a> is called <strong>WEAVE</strong>. Images of plants, tress, and clouds have been woven together with vivid colors that are based more on personal perception than any realistic rendering. They are sensual takeaways from being in a place, light moving through things, and experiments seeking to shift perspectives and move the viewer through the world in a very alive way. The whole project including the exhibit, poetry, performance, and workshops, is a conversation of lines of interaction, each being an individual consciousness, woven together with horizontal lines of metaphorical text and dialogue to create something stronger and more whole. A textile of reciprocity. </p>

<p>The breadth of Elizabeth’s knowledge of art, history, and photography is vast and we only just scratched the surface of what she could share. Hopefully there will be a part two at some point. Please enjoy the interview and if you come across this episode before May 20, 2018 please make a point to see her work at <a href="https://grayduckgallery.com/hidden/weave" target="_blank" rel="nofollow noopener">grayDUCK Gallery</a>.<br>
<br></p>

<p><strong>WEAVE</strong></p>

<p><strong>grayDUCK Gallery</strong></p>

<p>Exhibition Dates: April 13th - May 20th, 2018</p>

<p>2213 E. Cesar Chavez<br>
Austin, TX. 78702<br>
(E. Cesar Chavez &amp; Mildred)</p>

<p>512-826-5334</p>

<p><a href="mailto:duckduck@grayduckgallery.com" target="_blank" rel="nofollow noopener">duckduck@grayduckgallery.com</a></p>

<p><a href="https://grayduckgallery.com/" target="_blank" rel="nofollow noopener">grayduckgallery.com</a></p>

<p>Hours: Thur-Sat 11-6pm &amp; Sun 12-5pm</p>

<p>Parking is located in the back of the building via the alley off of Mildred<br>
<br><br>
<strong>Some of the subjects we discuss:</strong></p>

<p>Childhood in nature<br>
Texas/family heritage<br>
College/art history major<br>
Finding clarity/crossroads<br>
Move to Houston/then Boston<br>
Krakow Gallery/making work<br>
Commercial gallery education <br>
Client relationships/selling work<br>
Graduate school at SFAI<br>
Fraenkel Gallery/job miracle<br>
Respect for artwork<br>
Move back to Austin<br>
Leap before you look<br>
Lora Reynolds Gallery/teaching<br>
Weave at GrayDuck<br>
Collages/composites<br>
Introduction of vivid color<br>
Performance/collaboration<br>
Text/poetry</p>

<p><strong>Banner image by Elizabeth Chiles</strong></p><p>Links:</p><ul><li><a title="Elizabeth Chiles - website" rel="nofollow" href="http://www.elizabethchiles.com/">Elizabeth Chiles - website
</a></li><li><a title="WEAVE - grayDUCK Gallery" rel="nofollow" href="https://grayduckgallery.com/hidden/weave">WEAVE - grayDUCK Gallery
</a></li><li><a title="Weaving light: In her newest photographic work, Elizabeth Chiles embraces serenity — Sightlines" rel="nofollow" href="https://sightlinesmag.org/elizabeth-chiles">Weaving light: In her newest photographic work, Elizabeth Chiles embraces serenity — Sightlines
</a></li><li><a title="Robert Adams (photographer) - Wikipedia" rel="nofollow" href="https://en.wikipedia.org/wiki/Robert_Adams_(photographer)">Robert Adams (photographer) - Wikipedia
</a></li><li><a title="William Turner - The Complete Works" rel="nofollow" href="https://www.william-turner.org/">William Turner - The Complete Works
</a></li><li><a title="Paul Cézanne - Wikipedia" rel="nofollow" href="https://en.wikipedia.org/wiki/Paul_C%C3%A9zanne">Paul Cézanne - Wikipedia
</a></li><li><a title="Inman Gallery: Amy Blakemore" rel="nofollow" href="http://www.inmangallery.com/artists/blakemore_amy/bio.html">Inman Gallery: Amy Blakemore
</a></li><li><a title="Krakow Witkin Gallery" rel="nofollow" href="https://www.krakowwitkingallery.com/">Krakow Witkin Gallery
</a></li><li><a title="uta barth | the official website" rel="nofollow" href="http://utabarth.net/">uta barth | the official website
</a></li><li><a title="Sol LeWitt - Wikipedia" rel="nofollow" href="https://en.wikipedia.org/wiki/Sol_LeWitt">Sol LeWitt - Wikipedia
</a></li><li><a title="Richard Tuttle - Wikipedia" rel="nofollow" href="https://en.wikipedia.org/wiki/Richard_Tuttle">Richard Tuttle - Wikipedia
</a></li><li><a title="San Francisco Art Institute | SFAI" rel="nofollow" href="http://www.sfai.edu/">San Francisco Art Institute | SFAI
</a></li><li><a title="Home | Fraenkel Gallery" rel="nofollow" href="https://fraenkelgallery.com/">Home | Fraenkel Gallery
</a></li><li><a title="W.H. Auden poem - Leap Before You Look" rel="nofollow" href="http://web.mit.edu/cordelia/www/Poems/Leap_Before_you_look.html">W.H. Auden poem - Leap Before You Look
</a></li><li><a title="Home | Lora Reynolds Gallery" rel="nofollow" href="http://www.lorareynolds.com/">Home | Lora Reynolds Gallery
</a></li></ul>]]>
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