web02.fireside.fm Thu, 11 Jun 2026 23:26:37 -0500 Fireside (https://fireside.fm) Austin Art Talk - Episodes Tagged with “Dave Mcclinton” https://www.austinarttalk.com/tags/dave%20mcclinton Tue, 22 Oct 2019 16:30:00 -0500 The goal of the podcast is to facilitate connections with and to learn from the successes, struggles, life experience, and wisdom of the people featured, most of whom live and create in Austin, Texas. The honest conversational flow of these weekly long form interviews lends itself to some really great insights and information that is available to anyone who wants to listen. Join us to explore the origins, stories, lessons, lives and work of those in our community who are at the forefront of creative expression. The podcast is hosted by photographer, art enthusiast and collector, Scott David Gordon. en-us episodic In depth conversations and wisdom from Austin artists and creatives, about life, work, and creativity. Scott David Gordon The goal of the podcast is to facilitate connections with and to learn from the successes, struggles, life experience, and wisdom of the people featured, most of whom live and create in Austin, Texas. The honest conversational flow of these weekly long form interviews lends itself to some really great insights and information that is available to anyone who wants to listen. Join us to explore the origins, stories, lessons, lives and work of those in our community who are at the forefront of creative expression. The podcast is hosted by photographer, art enthusiast and collector, Scott David Gordon. no austin artist, podcast, austin art podcast, austin texas, austin art, interviews, local artist, conversations with artists Scott David Gordon podcast@austinarttalk.com Episode 73: Dave McClinton https://www.austinarttalk.com/73 9a485df9-4acf-4e41-897b-d4dc527d50ed Tue, 22 Oct 2019 16:30:00 -0500 Scott David Gordon 73 Dave McClinton full Scott David Gordon Dave McClinton is an artist and graphic designer who after doing design work for decades decided to funnel his life experiences, ideas, and emotions into often provocative, graphically intricate, and colorfully rendered, digitally collaged portraits and landscapes. The artworks aim to tell stories, start hard conversations, and to help visually define current and historical black identity and inner life. 1:16:09 no <p><strong><em>“The things that I think people don’t understand or misunderstand about me is that sometimes when I’m hanging out with friends or hanging out with piers, I can't help but make a joke or a comment about race. Because it is literally always there. It’s just always there. It’s an odd thing to constantly have that in your face all of the time. It’s heavy. I think it’s why black men die sooner than everyone else. That psychological weight is always there. And sometimes I wish I could explain to my friends what that's like. I wish there was a way to convey to people, and maybe that’s what I am trying to do with the art, what that constant pressure feels like, because it is literally constant”</em></strong><br> <br><br> Dave McClinton is an artist and graphic designer who after doing design work for decades decided to funnel his life experiences, ideas, and emotions into often provocative, graphically intricate, and colorfully rendered, digitally collaged portraits and landscapes. The artworks aim to tell stories, start hard conversations, and to help visually define current and historical black identity and inner life. <br> <br><br> <img src="https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/nqfTx2Rt.jpg" alt=""><br> Lo and Behold IV<br> <br><br> <strong><em>Statement's courtesty of Dave's website.</em></strong></p> <p><strong>ARTIST STATEMENT | as it pertains to the culturally based imagery.</strong></p> <p>In the African American community, we are slowly rediscovering our history that has not been fully illustrated. <strong>It’s my job as visual communicator to review historical information and inform the community by bringing these concepts to life</strong> and help visually define our identity. And to distribute these stories about the strengths and trials of the African American community.</p> <p>I want to <strong>illustrate the life-cycle of the inner life of a black person.</strong> From innocent to informed. From recklessly defiant to determined. How <strong>the weight of American history can either crush you or harden you.</strong> And, how either result often has to be hidden from view just to get through the day. The anger of the African-American community is often portrayed as a threat. The anger of “traditional’ communities is depicted as righteous. <strong>This paradigm feeds stress and despair back into black lives</strong> and thus stokes the fires we try to simultaneously hide and harness.</p> <p>Currently, there is a newly intensified wave of empathetic consciousness in all forms of artistic output. <strong>I want the community to seize this moment in history to create work that tells a story and compels them to seek out empathy and activism for the sake of others.</strong> My hope is the work I’m creating can help do that. I want to spark conversations that have, historically, been hard to start.</p> <p><strong>ARTIST STATEMENT | Concerning the landscapes.</strong></p> <p>I create <strong>free standing crumpled paper</strong> still lifes, then photograph them and manipulate the images until I’ve created something that straddles reality and fantasy. <strong>I want to show you something familiar and then alter your perspective.</strong> These shapes and “views” are familiar but I want to you conjure up places you have been and seen. Not simply reproduce a vista for it’s own sake.</p> <p>I combine my love of photography, art and graphic design to create works that speak to the viewer by communicating something specific and obvious but also harboring subtexts that require repeated viewing or discussion. <strong>My work as a graphic designer has been to communicate quickly and efficiently through logo and branding work.</strong> That economy of message can be applied to art.<br> <br></p> <p><img src="https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/lr0_Vv0X.png" alt=""><br> Resurgence<br> <br><br> <strong><em>Current and upcomming</em></strong></p> <p>Laura Caffrey and Dave McClinton:<br> <strong>CARRY THE REMAINDER</strong><br> October 11 - November 17, 2019</p> <p><strong>Atleier 1205</strong><br> 1205 E Cesar Chavez St.,<br> Austin, TX 78702</p> <p>Gallery hours: 11am-6pm, Thursdays and Fridays, by appointment on other days and evenings</p> <p>Meet the artists during the first weekend of East Austin Studio Tour: 11am-6pm, Saturday and Sunday, November 16-17<br> <br><br> <br><br> <img src="https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/qxrI4zdu.jpg" alt=""><br> <br><br> <strong>2019 Texas Book Festival Weekend</strong><br> Saturday, October 26th 10:00AM – 5:00PM<br> Sunday, October 27th 11:00AM – 5:00PM</p> <p>Saturday - 2:30 PM - 3:15 PM<br> Meet 2019 Texas Book Festival Poster Artist Dave McClinton<br> The Contemporary Austin-Jones Center (700 Congress Avenue)</p> <p>Meet the official 2019 Texas Book Festival Poster artist, Dave McClinton, as he shares his work, including the dramatic image for this year’s poster, Burgeoning, a mixed-media digital collage made from crumpled paper, photographed and rendered as a mountain landscape. The idea for McClinton’s crumpled paper series was sparked when he noticed the discarded gift wrapping on his kitchen table looked like a miniature mountain sculpture.<br> <br></p> <p><strong>Some of the subjects we discuss:</strong></p> <p>Questions/reactions<br> Experiences/stereotypes<br> New conversations<br> The mission<br> Cultural work<br> Code switching<br> Textures/bodies<br> Facial elements/features<br> Eye contact/defiant<br> Generational trauma<br> Conflicting messages<br> Addiction/genetics<br> Using historical texts<br> Replacing the nouns<br> The word “likely”<br> Graphic design<br> Rewriting texts<br> The Landscapes<br> Crumpled paper<br> Scars on the land<br> Vietnam Memorial<br> People as resources<br> Other Art Fair<br> Crowd reactions<br> Tough conversations<br> Bulletproof explanations<br> Defending the work<br> Who gets the work<br> Woman at WEST<br> Suit and noose<br> Talking point piece<br> Studying art in school<br> Influential teachers<br> Printing fascination<br> All the names<br> Starting to make art<br> Using the skill set<br> Story importance<br> Evolution of work<br> Showing emotions<br> Sense of injustice<br> Dealing with life<br> Using humor<br> Pride/embarrassment<br> Me too/All men<br> Righteousness<br> Thomas Jefferson<br> 3/5ths of a person<br> The 1619 Project<br> Texas Book Festival<br> DJ Stout/Pentagram<br> Atelier 1205 Landscapes<br> Get out there/friends<br> Davis Gallery show<br> New plexi work<br> Branding/logo work<br> Creative freedom</p> <p><br><br> This interview has been edited and condensed for clarity.</p> <p>Intro music generously provided by <a href="http://stankillian.com/main/" target="_blank" rel="nofollow noopener">Stan Killian</a></p> <p><a href="http://www.austinarttalk.com/supportpodcast" target="_blank" rel="nofollow noopener">Support this podcast.</a> </p> austin art, austin art podcast, austin artist, austin texas, conversations with artists, interview, interviews, local artist, podcast “The things that I think people don’t understand or misunderstand about me is that sometimes when I’m hanging out with friends or hanging out with piers, I can't help but make a joke or a comment about race. Because it is literally always there. It’s just always there. It’s an odd thing to constantly have that in your face all of the time. It’s heavy. I think it’s why black men die sooner than everyone else. That psychological weight is always there. And sometimes I wish I could explain to my friends what that's like. I wish there was a way to convey to people, and maybe that’s what I am trying to do with the art, what that constant pressure feels like, because it is literally constant”


Dave McClinton is an artist and graphic designer who after doing design work for decades decided to funnel his life experiences, ideas, and emotions into often provocative, graphically intricate, and colorfully rendered, digitally collaged portraits and landscapes. The artworks aim to tell stories, start hard conversations, and to help visually define current and historical black identity and inner life.



Lo and Behold IV


Statement's courtesty of Dave's website.

ARTIST STATEMENT | as it pertains to the culturally based imagery.

In the African American community, we are slowly rediscovering our history that has not been fully illustrated. It’s my job as visual communicator to review historical information and inform the community by bringing these concepts to life and help visually define our identity. And to distribute these stories about the strengths and trials of the African American community.

I want to illustrate the life-cycle of the inner life of a black person. From innocent to informed. From recklessly defiant to determined. How the weight of American history can either crush you or harden you. And, how either result often has to be hidden from view just to get through the day. The anger of the African-American community is often portrayed as a threat. The anger of “traditional’ communities is depicted as righteous. This paradigm feeds stress and despair back into black lives and thus stokes the fires we try to simultaneously hide and harness.

Currently, there is a newly intensified wave of empathetic consciousness in all forms of artistic output. I want the community to seize this moment in history to create work that tells a story and compels them to seek out empathy and activism for the sake of others. My hope is the work I’m creating can help do that. I want to spark conversations that have, historically, been hard to start.

ARTIST STATEMENT | Concerning the landscapes.

I create free standing crumpled paper still lifes, then photograph them and manipulate the images until I’ve created something that straddles reality and fantasy. I want to show you something familiar and then alter your perspective. These shapes and “views” are familiar but I want to you conjure up places you have been and seen. Not simply reproduce a vista for it’s own sake.

I combine my love of photography, art and graphic design to create works that speak to the viewer by communicating something specific and obvious but also harboring subtexts that require repeated viewing or discussion. My work as a graphic designer has been to communicate quickly and efficiently through logo and branding work. That economy of message can be applied to art.


Resurgence


Current and upcomming

Laura Caffrey and Dave McClinton:
CARRY THE REMAINDER
October 11 - November 17, 2019

Atleier 1205
1205 E Cesar Chavez St.,
Austin, TX 78702

Gallery hours: 11am-6pm, Thursdays and Fridays, by appointment on other days and evenings

Meet the artists during the first weekend of East Austin Studio Tour: 11am-6pm, Saturday and Sunday, November 16-17







2019 Texas Book Festival Weekend
Saturday, October 26th 10:00AM – 5:00PM
Sunday, October 27th 11:00AM – 5:00PM

Saturday - 2:30 PM - 3:15 PM
Meet 2019 Texas Book Festival Poster Artist Dave McClinton
The Contemporary Austin-Jones Center (700 Congress Avenue)

Meet the official 2019 Texas Book Festival Poster artist, Dave McClinton, as he shares his work, including the dramatic image for this year’s poster, Burgeoning, a mixed-media digital collage made from crumpled paper, photographed and rendered as a mountain landscape. The idea for McClinton’s crumpled paper series was sparked when he noticed the discarded gift wrapping on his kitchen table looked like a miniature mountain sculpture.

Some of the subjects we discuss:

Questions/reactions
Experiences/stereotypes
New conversations
The mission
Cultural work
Code switching
Textures/bodies
Facial elements/features
Eye contact/defiant
Generational trauma
Conflicting messages
Addiction/genetics
Using historical texts
Replacing the nouns
The word “likely”
Graphic design
Rewriting texts
The Landscapes
Crumpled paper
Scars on the land
Vietnam Memorial
People as resources
Other Art Fair
Crowd reactions
Tough conversations
Bulletproof explanations
Defending the work
Who gets the work
Woman at WEST
Suit and noose
Talking point piece
Studying art in school
Influential teachers
Printing fascination
All the names
Starting to make art
Using the skill set
Story importance
Evolution of work
Showing emotions
Sense of injustice
Dealing with life
Using humor
Pride/embarrassment
Me too/All men
Righteousness
Thomas Jefferson
3/5ths of a person
The 1619 Project
Texas Book Festival
DJ Stout/Pentagram
Atelier 1205 Landscapes
Get out there/friends
Davis Gallery show
New plexi work
Branding/logo work
Creative freedom



This interview has been edited and condensed for clarity.

Intro music generously provided by Stan Killian

Support this podcast.

Links:

]]> “The things that I think people don’t understand or misunderstand about me is that sometimes when I’m hanging out with friends or hanging out with piers, I can't help but make a joke or a comment about race. Because it is literally always there. It’s just always there. It’s an odd thing to constantly have that in your face all of the time. It’s heavy. I think it’s why black men die sooner than everyone else. That psychological weight is always there. And sometimes I wish I could explain to my friends what that's like. I wish there was a way to convey to people, and maybe that’s what I am trying to do with the art, what that constant pressure feels like, because it is literally constant”


Dave McClinton is an artist and graphic designer who after doing design work for decades decided to funnel his life experiences, ideas, and emotions into often provocative, graphically intricate, and colorfully rendered, digitally collaged portraits and landscapes. The artworks aim to tell stories, start hard conversations, and to help visually define current and historical black identity and inner life.



Lo and Behold IV


Statement's courtesty of Dave's website.

ARTIST STATEMENT | as it pertains to the culturally based imagery.

In the African American community, we are slowly rediscovering our history that has not been fully illustrated. It’s my job as visual communicator to review historical information and inform the community by bringing these concepts to life and help visually define our identity. And to distribute these stories about the strengths and trials of the African American community.

I want to illustrate the life-cycle of the inner life of a black person. From innocent to informed. From recklessly defiant to determined. How the weight of American history can either crush you or harden you. And, how either result often has to be hidden from view just to get through the day. The anger of the African-American community is often portrayed as a threat. The anger of “traditional’ communities is depicted as righteous. This paradigm feeds stress and despair back into black lives and thus stokes the fires we try to simultaneously hide and harness.

Currently, there is a newly intensified wave of empathetic consciousness in all forms of artistic output. I want the community to seize this moment in history to create work that tells a story and compels them to seek out empathy and activism for the sake of others. My hope is the work I’m creating can help do that. I want to spark conversations that have, historically, been hard to start.

ARTIST STATEMENT | Concerning the landscapes.

I create free standing crumpled paper still lifes, then photograph them and manipulate the images until I’ve created something that straddles reality and fantasy. I want to show you something familiar and then alter your perspective. These shapes and “views” are familiar but I want to you conjure up places you have been and seen. Not simply reproduce a vista for it’s own sake.

I combine my love of photography, art and graphic design to create works that speak to the viewer by communicating something specific and obvious but also harboring subtexts that require repeated viewing or discussion. My work as a graphic designer has been to communicate quickly and efficiently through logo and branding work. That economy of message can be applied to art.


Resurgence


Current and upcomming

Laura Caffrey and Dave McClinton:
CARRY THE REMAINDER
October 11 - November 17, 2019

Atleier 1205
1205 E Cesar Chavez St.,
Austin, TX 78702

Gallery hours: 11am-6pm, Thursdays and Fridays, by appointment on other days and evenings

Meet the artists during the first weekend of East Austin Studio Tour: 11am-6pm, Saturday and Sunday, November 16-17







2019 Texas Book Festival Weekend
Saturday, October 26th 10:00AM – 5:00PM
Sunday, October 27th 11:00AM – 5:00PM

Saturday - 2:30 PM - 3:15 PM
Meet 2019 Texas Book Festival Poster Artist Dave McClinton
The Contemporary Austin-Jones Center (700 Congress Avenue)

Meet the official 2019 Texas Book Festival Poster artist, Dave McClinton, as he shares his work, including the dramatic image for this year’s poster, Burgeoning, a mixed-media digital collage made from crumpled paper, photographed and rendered as a mountain landscape. The idea for McClinton’s crumpled paper series was sparked when he noticed the discarded gift wrapping on his kitchen table looked like a miniature mountain sculpture.

Some of the subjects we discuss:

Questions/reactions
Experiences/stereotypes
New conversations
The mission
Cultural work
Code switching
Textures/bodies
Facial elements/features
Eye contact/defiant
Generational trauma
Conflicting messages
Addiction/genetics
Using historical texts
Replacing the nouns
The word “likely”
Graphic design
Rewriting texts
The Landscapes
Crumpled paper
Scars on the land
Vietnam Memorial
People as resources
Other Art Fair
Crowd reactions
Tough conversations
Bulletproof explanations
Defending the work
Who gets the work
Woman at WEST
Suit and noose
Talking point piece
Studying art in school
Influential teachers
Printing fascination
All the names
Starting to make art
Using the skill set
Story importance
Evolution of work
Showing emotions
Sense of injustice
Dealing with life
Using humor
Pride/embarrassment
Me too/All men
Righteousness
Thomas Jefferson
3/5ths of a person
The 1619 Project
Texas Book Festival
DJ Stout/Pentagram
Atelier 1205 Landscapes
Get out there/friends
Davis Gallery show
New plexi work
Branding/logo work
Creative freedom



This interview has been edited and condensed for clarity.

Intro music generously provided by Stan Killian

Support this podcast.

Links:

]]>